Thursday, December 22, 2016

Seduction - Act II Scene ii

...And the type writer was bare and broken!

After that ?

I could see him, looking at her, from the corner of the stretched room with a view : 

"Loneliness is often so tidy and neatly arranged in a relationship that any other sound of foot steps, seems like a giant bear eating the swimming salmons, trying to escape ..."

Monday, December 19, 2016

Bombay Meri Jaan


Bombay you will be told that the only Indian word as a city is understood in the West. Other Indian metropolises like Calcutta, Madras and Delhi are like oversized villages.

It is true that Bombay has many more high-rise buildings than any other Indian city: when you approach it by the sea it looks like a miniature New York.

It has other things to justify its city status: it is congested, it has traffic jams at all hours of the day, it is highly polluted and many parts of it stink.

But mostly what makes Bombay stand apart is its huge swarms of yellows bellying horns and invocating the aroma of the Arabian Tales...

Friday, December 16, 2016

Dhobi Ghat - Sunflowers.


I don't think there's anything on this planet that more trumpets life that the sunflower. For me that's because of the reason behind its name.Not because it looks like the sun but because it follows the sun.

During the course of the day, the head tracks the journey of the sun across the sky and help the metaphorphosis coming true.

A metamorphosis of a young washerman becoming a Sunflower! 

Thursday, December 15, 2016

Dhobi Ghat - The Wandering Souls



“Out beyond ideas of wrongdoing 
and rightdoing there is a field.
I'll meet you there.

When the soul lies down in that grass
the world is too full to talk about.” 
                            ― Jalaluddin Rumi










Dhobi Ghat - The Wandering Souls


"What are you seeing? Are you able to see our wandering selves out there in the cold blue water, floating like pieces of meteors, within the canvas of our universe? Yes our Universe! 

That Universe where you have left us all alone, cold and frozen, unattended and soiled. And like an unknown sapling we wake up to find us floating. Floating deep, between the chambers of births and deaths. We could feel ourselves half asleep. We could hear the sounds of another world, hidden between the crevices of darkness and light. 

Under the faint light of awakening, could hear you reading out from the Book of Hades. Were you reading or chanting? Chanting a Hymn to awaken the spirit of the Underworld? The whiteness of our living was unsure until we are here. Here, where we are exiled. 

Peculiarly couldn't ask, whether this exile was meant to die or to wake up after we were dead! 


Now, as we are lying without a body, we are no more entwined to the destiny of lives you have gifted us once. Our Souls spread over the planet and leave no mountain unclimbed, no valley undiscovered, no sea unsailed, ventured even into an inner sanctum.

Maybe a Sanctuary! 

Our Souls mingle and leave no relationship unattempted, no emotion unfelt, no pleasure and pain unexplored. Our Souls plunge into their minds and leave no tale untold, no image unpainted, no melody unheard.

For the first time in our entire dissipated and borrowed life, our Souls transcend their fantasies and leave no idea unthought, no natural law undescribed, no wisdom undefined. 
And even pass over the thinkeable and witness ineffable realms of other worlds and their inhabitants. 


Curiously, without any idea of what we are, we have become the embodiment of the purpose of existence.” 

Wednesday, December 14, 2016

Dhobi Ghat - Rhyme & Rhythms


The thing about Bombay or Mumbai is you go five yards and all of human existence is revealed. It's an incredible cavalcade of life, and I love that.

I love that scent of buzzing human movements and it so much reminds me of the Bees. I can fairly imagine Bombay as The Queen and us acting like bees tending the time as a beehive. We are all moving and at times this movement becomes the metaphor of Stillness.

And maybe if you're staying in Bombay you would have observed that how the city has beautifully carved herself into frames. Frames of life! A life full of renewed life force extinguishing every night and springing up yet again each morning.

Such display of continuous deaths and births are rarely seen in any cities I have ever lived in. Maybe Newyork is such I am being told. But I am sure the waves and textures of human colours are unmatched and unique from everywhere.

And the most remarkable part is the huge mellowed heart of the city.She places the grotesque and the ugly next to the refined and subtle and yet it creates a Rhythm. Her indomitable spirit and desire to exist supercedes every lil' imperfections she carries.

Dhobi Ghat - Blue's Playin


Dhobi Ghat (Mahalaxmi Dhobi Ghat) is a well known open air laundromat in Mumbai, India.The washers, locally known as Dhobis, work in the open to wash the clothes from Mumbai's hotels and hospitals.

I was always fascinated with the stories of Dhobi Ghat and more so seeing the film with the same title.

It was just 6.30 am in the morning and the scent of Dhobi Ghat with chlorine, dim light, half clad men beating the clothes in a rhythm with splashes of water wrenching the blue's out, was enough to produce a music that could only match with Billy Joel in his saxophone.

I was standing there quietly and watching the clock taking me back to somewhere in between the 60's to 70's.There was this humming sound of the drier, in distant, giving it a feeling of Time Machine. I could feel some curious eyes trying to catch my glance but they were too busy to clean all the mirths of the city than watching me through my lens.

I could see tons of shirts and trousers shedding their blackness and getting whiter. I was thinking how men have learnt to clean the dirts and whiten their lives at the expense of other fellow men.

I was wondering where do all these dirts that are getting cleaned travels to? Does these travels to the inside, within the darkest corners of the city ? How will the city clean itself?

I think too much! Let me watch the Blue's for now...

Tuesday, December 13, 2016

Wintry Songs...


"La plus belle des ruses du diable est de vous persuader qu'il n'existe pas."

("The devil's finest trick is to persuade you that he does not exist.")

                                      - Charles Baudelaire.

Monday, December 12, 2016

Short Story of a City - Ahmadabad.


Cities were always like people, showing their varying personalities to the traveler. Depending on the city and on the traveler, there might begin a mutual love, or dislike, friendship, or enmity.

Where one city will rise a certain individual to glory, it will destroy another who is not suited to its personality. Only through travel can we know where we belong or not, where we are loved and where we are rejected.

Sunday, December 11, 2016

Himalaya Calling - In Praise of a Silence...


"And if these mountains had eyes, they would wake to find two strangers in their fences, standing in admiration as a breathing red pours its tinge upon earth's shore.
These mountains, which have seen untold sunrises, long to thunder praise but stand reverent, silent so that man's weak praise should be given God's attention..."
- en route to Ukhimath, Uttarakhand.

Friday, December 9, 2016

Calcutta Chromosomes - Durga


नमस्तेशरण्येशिवेसानुकम्पे,
नमस्तेजगद्व्यापिकेविश्वरूपे।
नमस्तेजगद्वन्द्यपादारविन्दे,
नमस्तेजगत्तारिणित्राहिदुर्गे॥१॥

"She the refuge, peaceful and merciful undoubtedly,
She pervades over all, is universal form certainly,
Her lotus feet worshipped by universe – all Glory,
On your appeal “Protect me Durga” saves entirely..."

Durga,The Goddess, epitomises the strength of a Woman and the one who saves the Humanity from all the crimes and savages and restores peace and order in the Universal being of Life.

And ironic is the fact that our Goddess whom we celebrate is now in a perennial threat.Threat of existence! From the very same society and civilisation whom She had been urged and prayed to protect.

The dichotomy of the society is that it celebrates Her as a Supreme Celestial Being and on the other hand kills Her human form in the foetus.Rape Her dignity.Plunder Her as a loot.

When will the Durgas breathing alive will be celebrated as Women and not as Celestial Being ? When will we stop violence against them ? When will we start accepting Them as our Comrade at Arms and give back their dues ?

Durgas don't need our patronage and prayers.They need us to live them alone and decide their own destiny. And when we learn to do that I am sure the celebrations will begin and we as a Human race will have another chance to exist...

Himalaya Calling - The Journey


The most beautiful and ugly journeys do not ends.They continue much after you think, you're through.

It's just like love. Ceaseless!

It's also like a fly. Buzzing!

So where to begin this story ? Okay let's begin with the shadows I was carrying all through this journey until I was exhausted and had no where to hide.

Shadows of those forlorn untidy unkept letters I had written in love. At least I took it as love. I was so sure of it that I was already designing the new house in my drawing book. I was writing off all my past debts of memories.

Until one evening I know that I was always alone and all through I was talking to those beautiful shadows in my dreams.

And then I had no where to go. The walls were becoming unbearable with its contempt .The bed was agonisingly white and pale. Everyone started behaving strangely as if it was only my fault to imagine that I was in love.

And I ran. Ran away as far as possible until I reached in front of the flowing Alakananda river and the tall, rather very tall Himalayas.

And then ? Blame Kafka for writing "Metamorphosis".

Wednesday, December 7, 2016

Calcutta Chromosomes - Fading Empire


What makes me Travel?  What do I try to see when i Travel? These are all the questions often asked in so many ways and in so many manners to me.

I usually don't like to answer them. I try to show what I see and how I feel but at times I realize that my silence through which I try to speak is half understood.

I travel to see me. Peculiar right? Indeed I often find myself boring and unintelligent in front of a well manicured mirrors in my home. They usually go on chattering the same verbs.

And then a fresh round of air makes me freer from my growing stomach and receding hairline. I travel to find me growing into an exciting homosapien, ignorant to all the best possible presets being applied on my selfies in Instagram.

I become freer from my narcissus tendencies and start looking around for a story. For a story I am unaware of. For a story I will never have to pay a price. For a story that will not yell back at me.

I travel to get soaked in rains, dusted in the muddy air and watch the humans moving endlessly ( at least they would like to believe that ) within the ceaseless singularity of Time.

I Travel to see a drama that will never happen. A piece of history which is so insignificant that none will care for. Peacefully watching the cat crossing the windows, a man chewing the tobacco as if having a sex, an old colonial story of the trams coming to a halt.

Talking about that did I mention that over here in this image I saw General Dyer crying his heart out to this native Indian man and complaining how he will miss riding the Trams!

Yes the bells are ringing. Go and have a ride on these soon to be extinct species of transport from The City of Joy - Calcutta.

Oh, do let me know if Doninique La Pierre would shed some tears hearing the news...

Folk Tales.

You asked me once - Do I love talking to you ? Yes!I love to talk to you in my own silence and burn within, in an unknown purifying desire.

I keep listening to your deep warm raven like eyes. And as I immerse in your fairy tales, I go down deeper. Deeper from where there's no return.

A sort of Fantasy.Fantasy of being with you in silence and getting lost in your waves of touches....

I fear if I telephone you and listen to your voice, then I might be losing you and your fantasy and come back to a reality - a reality that you're lost and gone!

By the way do you remember the Folk Tales we used to read, during those wet, lusty rains?

A Photographer's Mind - Stillness of a Time


"You’ve mentioned a couple of times that Italo Calvino is one of your most beloved writers. In The Adventure of a Photographer, the main character says that ‘in order to really live, you must photograph as much as you can… you must either live in the most photographable way possible, or else consider photographable every moment of your life. The first course leads to stupidity, the second to madness’. Do you think photography is inherently futile?"

Dayanita Singh - That’s a beautiful quote, but I think it only makes sense if you think of photography as an end in itself. But if you’re not interested in photography as pure documentation, it frees you to do so much more. My work, Time Measures, is titled after the name of one of Sebald’s poems.

I photographed these bundles of documents wrapped in fabric that I found in an archive in India. The viewer never finds out what the documents are or what they look like, and I never did unwrap them either.Does this then mean that the photographs are pointless?

Whenever people ask me how to become a good photographer, I tell them to read, jump into the world of literature. I hand them a copy of Austerlitz by Sebald, and tell them to come back to me when they’re done with it. Nobody ever comes back to me because that’s not the kind of photography they want to do.

They’re interested in instant gratification, going around with their big cameras, snapping photographs quickly without thinking. Can we raise the bar higher?

- An excerpt from an interview of famed Photographer Dayanita Singh with Apollo Magazine.

Monday, December 5, 2016

Character of a House - Himalaya Calling


"She stretched out against the wall and kissed it. "Glad to see you, too," she whispered, and pressed her cheek against the old rough surface. It almost felt like it hugged her back.

"Dude, it's a house," I said from behind her. "Hug somebody who cares..."

(Ukhimath, Uttarakhand)

Saturday, December 3, 2016

हसरते... Desires...


"बड़ी हसरत है पूरा एक दिन इक बार मैं अपने लिए रख लूँ
तुम्हारे साथ पूरा एक दिन बस खर्च करने की तमन्ना है !"


I have that strange desire, to keep an entire day hidden from everyone, and keep it to myself ,
and spend it miserly, the way near empty tap does, in painting the moles, on your blue white chest ...



(Sarkhez Roza, Ahmadabad, Gujarat. India).







Short story of a City - Ahmadabad


याद पिया की आये ।


"याद पिया की आये
यह दुःख सहा ना जाये- हाये राम

बाली उमरिया सूनी रे सजरिया
जोबन बीतो जाये- हाये राम

बैरी कोयलिया कूक सुनावे 
मुझ बिरहन का जियरा जलावे 
हाँ पी बिन रैन जगाये – हाये राम"



Oh memories of my beloved haunt me!
Alas, I cannot bear this grief!

I am yet young but my bed is forlorn ;
my youth is passing by – Alas!

The cuckoo, my enemy, coos his song.
Bereft of my beloved, my heart burns.
Yes – I am kept awake all night without my beloved!
Alas!




Background

This is a Thumri but in essence, it is a lament.The song is set to the Hindustani raag Bhinna Shadaj.

Written by the great Maestro Bade Ghulam Ali Khan on the death of his wife who passed in 1932, it has certainly stood the test of time! This is in the Punjabi Thumri style, which is faster paced and sounds generally ‘lighter’ than traditional Thumris.

Translated with a bit of artistic license, he says ‘Oh memories of my beloved haunt me! Alas, I cannot bear this grief!’. He was only 30 when his wife died. ‘I am yet young but my bed is forlorn! Alas, my youth is passing by!’.

Was he crying for himself or his wife? A bit of both, I think. ‘Bereft of my wife, my heart burns’ he says.

I have given a faint try for Transliterating this song and used it over here because the image was composed thinking about this great moment and song



(Street Walk in Old City of Ahmadabad with Cine Prime Lens DS 50mm, 1.5T. )









Friday, December 2, 2016

White Desert Story - Metamorphosis!

"I didn't know who He was or what He was until I saw him transformed into a Blue Butterfly and coming out from one of those windows.

Was there any proof to the lies ? Well the Blue's of one of those windows lying quite and strange brings a certain amount of truth to an otherwise abandoned tales of Metamorphosis..."

Short Story of a City - Bhadra Fort, Ahmadabad.


Ahmedabad gets its name from king Ahmed Shah Abdali who ruled and built this formidable city in the 14 the century. Ahmedabad gets its name from king Ahmed Shah Badshah who ruled and built this formidable city in the 14 the century. Ahmedabad is also known by a variety of other names like: Rajnagar, Shrinagar, Amdavad , Ahimdavad, Ahamdavad, Ahamadpur, Akmipur and Ahmednagar. Legendary historian Todalmal and celebrated musician Tansen who were two intellectuals from Badshah Akbar’s court, were actually from Ahmedabad










Thursday, December 1, 2016

Short Story of a City - Bicycle Thieves


When i saw the Bicycle, waiting in a corner of a busy street of the old city of Ahmadabad, i couldn't help but remember Antonio Ricci. 

Do you remember Antonio and his beloved Bicycle? How happy he was riding throughout the city of Rome and putting up colourful posters around the city? 

And why me? Like Antonio, i was,too, already thrown out of a job from the company i help founded.

And like Antonio i was happy too founding the pillars of my dreams and build a company painstakingly until one fine day i was asked to quit. And with that my love for bicycling into work remained a distant dream. 

And to top it my bicycle was stolen too, the very next day from the company premises. My beloved bicycle. 

And after days when i saw this bicycle, i was wondering what would have been the fate of the owner of this seemingly old worn out bicycle? 

And seeing the bicycle alone for so many hours made me feel so sad for Antonio and his child. Maybe i was sad for me and my boy Ishaan too. He wanted to drive with me in my lost bicycle. 

Maybe someday i will buy it again and make my boy ride with me. And in the mean time if you happen to pass by those streets of Ahmadabad do try to look for that bicycle. It must be there waiting, lonely and sad. Maybe waiting for its owner to take it back to where it belong. Maybe...


P.S Even if you are not visiting Ahmadabad, but do try to see Antonio Ricci in "The Bicycle Thieves", a seminal work of neo-realism film would have fatally undermined Vittorio De Sica's intention of presenting an authentic snapshot of everyday life in postwar Italy. 








Tuesday, November 29, 2016

White Desert Story - The Nomads


“If this were so; if the desert were 'home'; if our instincts were forged in the desert; to survive the rigours of the desert - then it is easier to understand why greener pastures pall on us; why possessions exhaust us, and why Pascal's imaginary man found his comfortable lodgings a prison.” 
                                                                                                                    
                                                                                                                              ― Bruce ChatwinThe Songlines.



White Desert Story - The Childhood


“and when all the wars are over, a butterfly will still be beautiful.” 



Himalaya Calling - The Character of a House





Salaam Bombay - The Lonely Boat





Calcutta Chromosomes - The River Story









The Character of a House - Ruins of a City, Old City, Ahmadabad


"Something always attracts us towards the ruins, because ruins remind us our fundamental problem: The problem of impermanence! Amongst the ruins we see the very end of our road! Whatever shows you the simple truth, it is your Master Teacher; whoever repeatedly recalls you of the plain truth, he is your good master!” 






Hungry Tides - Kafka & the Shore ....




If you look at the war, closely, you would know the necessity of destruction of a Space within that moment is inimitable for Time to travel. Travel beyond the remotest darkness and reach towards a point of Absolution.

An Absolution of White!

And similarly the waves are a necessity for the Shore to empty it's wet chest for a brief moment and let the moment of stillness to arrive in an otherwise continuous circular motion of Time!

(Bay of Bengal, Sunderbans.)


Hungry Tides - Conservation, Fables & The Land of 18 Tides!


In the land of the Sunderbans, ruled by tigers, tides, and the uncertainties of nature, there is a unique tradition of conservation and communal harmony. It is based on the villagers’ unflinching faith in Maa Bonbibi (forest deity) who is believed to bestow them with strength and protection against Raja Dakshinrai (tiger god) as they struggle to eke out a living in the mangrove swamps.

In most parts of the country, ‘Maa’ invokes Goddess Shakti/Durga and her many forms. Here, strangely, Maa Bonbibi does not refer to a Hindu deity. On the contrary, she is a Muslim goddess who protects everyone irrespective of their community. Hers is the presiding “forest religion” in the mangrove delta, deeply embedded in the social and cultural mores of the villagers and passed down from generation to generation.

Thatched shrines bearing icons of the goddess, accompanied by her brother Shah Jongli and mounted on the Supreme Tiger God Raja Dakshinrai, dot villages along the rivers. Chants of “Maa Bonbibi Allah, Allah” mingle effortlessly with “Maa Bonodevi Durga, Durga” as woodcutters, honey collectors and fishermen pay obeisance before venturing out into tiger territory. Muslims tuck in their beards and sit arm-in-arm with the Hindus before the idols; Hindus, in turn, have no qualms about praying to a Muslim deity.

“The forest and the tiger bind us together. A Muslim may pray five times in a mosque, and Hindus perform aarti in the temple, but when it is time to go into the forest we are all together in our prayers to Maa Bonbibi and her mount Raja Dakshinrai. A night in the forest is enough to teach you that,” says Kanai Mondal, a honey collector from Shaterkona village on Bali Island, South 24 Parganas district.

The legend of Bonbibi that has become folklore here finds elaboration in the novel The Hungry Tide by Amitav Ghosh. The forest goddess was sent from faraway Arabia to the Sunderbans, or Atharo Bhatir Desh (Land of 18 Tides), to save its people from the tyranny of Dakshinrai, the demon king of the jungle who stalked and killed humans in the guise of a tiger. In this land, where 18 tides come together, the mythologies of both Hindus and Muslims have blended to ward off a common threat. Bonbibi’s origins therefore are not the Himalayas or the Ganga. Her story begins in Islam’s second holiest city -- Medina.

Legend has it that a childless Sufi fakir Ibrahim was bestowed with the promise of fatherhood by the Archangel Gabriel. He was blessed with twins -- a daughter (Bonbibi) and a son (Shah Jongli). When they grew up, the Archangel Gabriel appeared before them saying that they had been chosen for a divine mission. Gabriel said they should leave their homeland and go to this part of India to save mankind from Raja Dakshinrai, a wicked Brahmin. They obeyed and started their journey as Sufi traders. Raja Dakshinrai, or the Supreme Lord of the Jungles, had a passion for human flesh. But Bonbibi and her brother quickly overpowered him. They did not kill the demon but made him promise to stop devouring humans.

The fable further tracks the underpinnings of people’s faith in the deity through the eyes of two honey collectors. Dhonai and Monai set out to collect honey wax, accompanied by their young nephew Dukhe. A despondent Dhonai, unable to find any beehives, returns to his boat and falls asleep. Raja Dakshinrai appears to him in a dream and demands the sacrifice of human flesh. He reminds him that they had not done puja to him prior to entering the forest.

Fearing the wrath of the tiger god, Dhonai decides to sacrifice Dukhe. He leaves him in the jungle to be killed and eaten by Dakshinrai. Just as the demon is about to pounce on Dukhe, in the guise of a tiger, Dukhe begins praying to Bonbibi. She appears before him, and saves him.

A bitter fight ensues between Shah Jongli and Dakshinrai, leading to the latter’s defeat. Bonbibi sends Dukhe home on the back of a crocodile and bestows him with enormous wealth. Dukhe then establishes a shrine dedicated to Bonbibi in his village, ushering in the tradition of puja to the forest deity.

“This tradition has deep roots in the principles of conservation,” says Pradeep Vyas, Director, Sunderbans Biosphere Reserve. “Known by many names and forms -- Bonbibi, Bonodurga or Byaghro Devi (tiger deity) -- she is a personification of the forest. The faith of the villagers in worshipping her and Raja Dakshinrai before entering the forest is a reaffirmation of their commitment to forest and tiger conservation.”

“There has been an attitudinal shift in the last 10 years,” Vyas adds. “Today the villagers do not kill a tiger if it strays into their village. They promptly intimate the forest department and our rescue teams rush to the spot to trap/tranquilise the animal and release it back into the forest. Often the tiger may walk back from the human landscape to the forest on its own, and the process is simpler when the animal is not provoked or harassed, compelling it to strike in self-defence.”

In a bid to spread awareness among local people about issues ranging from global warming and eco-tourism to rainwater harvesting and conservation of tiger habitat, the Sunderbans Development Authority periodically organises Bonbibi utsavs (festivals) dedicated to the forest deity. Primarily a state government effort, the objective is to reach out to local villagers and showcase achievements. Subhas Chandra Basu, Member Secretary, Sunderbans Development Authority, explains that free health camps, awareness camps on the right to education, conservation, etc, are organised. The event, which began in 2002, has since been organised on various islands between the months of December and March. It was last organised in 2009, before Cyclone Aila devastated the Sunderbans.

Local artistes perform Bonbibi jatras, or enactments of tales of valour by the forest goddess. Indeed, this has become an art form synonymous with the Sunderbans. “We take pride in bringing before the world our folk culture,” says Parbati Mondal. She plays the lead character of Bonbibi, in a 17-member theatre group from Gosaba Island. “My father-in-law lost his life in a tiger attack,” she says.

The local theatres are imbued with bucolic charm. The characters are loud, flashy and overstated; the performances melodramatic. Yet the climactic point of the plays and their underlying message is loud and clear: If the forest exists, then the tiger lives, and only then can we flourish.

“Call it their rustic tenet of faith or their pride in the age-old traditions, but eventually it is all interwoven with the same basic policy of conservation that we are so vehemently trying to spread,” Basu concludes.

Reference : Amitav Ghosh ( Bon Bibi Legend and 'Ethnic Cleansing' of India's Forests) & Kalpita Dutta (Infochange News & Features) and my personal travels and subsequent discussions with Fishermen, Local communities & Forest Officials. 









Hungry Tides - Memories of an unforgettable land.


How had it happened that when choosing the men and women who were to be torn from this subjugated plain, the hand of destiny had stayed so far inland, away from the busy coastlines, to alight on the people who were, of all, the most stubbornly rooted in the silt of the Ganga, in a soil that had to be sown with suffering to yield its crop of story and song ? 

It was as if fate had thrust its fist through the living flesh of the land in order to tear away a piece of its stricken heart .

- Amitav Ghosh, Sea of Poppies (Ibis Trilogy, #1)


Hungry Tides - The White's Silence


I know nothing of this silence except that it lies outside the reach of my intelligence, beyond words - that is why this silence must win, must inevitably defeat me, because it is not a presence at all

I look at me.I do not find anything worth a story, other than a deep penetrative murmurs of the shores I have left behind.I see a huge swarm of whiteness, gathering my feet and the soils receding away furthermore...

I know the tides are hungry, now, for a sacrifice! 

(Frazerganj beach, Sunderbans, India.)

Hungry Tides,The Land of 7 Tides - A fisherman's story



"He always thought of the sea as 'la mar' which is what people call her in Spanish when they love her. Sometimes those who love her say bad things of her but they are always said as though she were a woman.

Some of the younger fishermen, those who used buoys as floats for their lines and had motorboats, bought when the shark livers had brought much money, spoke of her as 'el mar' which is masculine.

They spoke of her as a contestant or a place or even an enemy.

But the old man always thought of her as feminine and as something that gave or withheld great favours, and if she did wild or wicked things it was because she could not help them.The moon affects her as it does a woman, he thought."

- Ernest Hemingway, The Old Man and the Sea

Hungry Tides - The Last Try...



But in the dark now and no glow showing and no lights and only the wind and the silent harshness of the tide, he felt that perhaps he was already dead.

He put his two hands together and felt the palms. They were not dead and he could bring the pain of life by simply opening and closing them.He leaned his back against the tide and knew he was not dead.

He reached out for his aluminium bowl and was trying to feel the emptiness of the vessel, to remind him the hungry ones waiting in his muddy hut.Today like any other day he cannot go empty hand.

He is praying for the fishes to become good to him. At least, now. The hunger is too unbearable like the darkness and he is hoping to have a last fight with it. The future is uncertain.He is the last one from the folk lores of the land of 7 Tides and a fishermen's village.

The village is slowly vanishing with its people. And so would his family, sooner or later. It's the last ditch for him to hold on to the family and save the folk lores of the seas...


Thursday, November 24, 2016

सहरनामा", An Abstract of a City - Short stories of a city called, Ahmadabad.



"कहानीया, बस , तीन लफ्जो की होती है,
लेकिन, क्यों और कैसे ।
बाकी सब बाते है।। "


All stories are a lie.In bits and pieces... 





- Night Walk in Ahmadabad with Cine Prime Lens DS 50mm, 1.5T.